Tag Archive for aksamija

Art History’s Aksamija Awarded I Tatti Fellowship

Nadja Aksamija, associate professor of art history, is writing a book on the Bolognese villa in the age of Cardinal Gabriele Paleotti at Villa I Tatti in Florence, Italy.

Nadja Aksamija, associate professor of art history, is writing a book on the Bolognese villa in the age of Cardinal Gabriele Paleotti at Villa I Tatti in Florence, Italy.

Nadja Aksamija, associate professor of art history, is spending her 2012-13 year abroad in Florence, Italy as a Robert Lehman Fellow at the Villa I Tatti, the Harvard University Center for Italian Renaissance Studies. She is one of 15 scholars to receive the fellowship.

I Tatti Fellows are selected by an international and interdisciplinary committee that welcomes applications from Italian Renaissance scholars from all nations.

While abroad, Aksamija is researching the Bolognese villa in the age of Cardinal Gabriele Paleotti.

“My project investigates the Bolognese villa culture at the end of the 16th century, a period marked by Catholic reform and huge cultural and intellectual shifts resulting from these changes, as well as from new scientific discoveries,” she says.

Aksamija Co-Authors La Sala Bologna

Book by Nadja Aksamija

Nadja Aksamija, assistant professor of art history, is the co-author of the book, La Sala Bologna nei Palazzi Vaticani: Architettura, cartografia e potere nell’età di Gregorio XIIIpublished by Marsilio Editori, 2011.

The Sala Bologna is one of the most inaccessible and fascinating spaces in the Vatican Palace, located between the Pope’s private apartments and the Secretariat of the Vatican State. Originally used for ceremonial purposes, it was built and decorated for the Jubilee of 1575 for the Bolognese pope Gregory XIII, Ugo Boncompagni, and precedes by five years the more famous Gallery of Maps in the Vatican Belvedere.

It was conceived as part of an ambitious visual program that sought to celebrate the scientific and religious accomplishments of Gregory XIII’s court. The Sala Bologna’s majestic interior was frescoed by Lorenzo Sabatini and artists in his workshop with monumental terrestrial and celestial maps, among which the map of the city of Bologna – the largest “portrait” of a city painted during the Renaissance. This book presents for the first time the architecture and pictorial decoration of this magnificent space, which is studied from a variety of angles by a group of internationally renowned scholars. The extraordinary images published in the book are a result of an exhaustive photographic campaign by the Madrid studio Factum Arte that were also used for the production of a facsimile of the map of the city of Bologna for the new Museo della Storia di Bologna.